On August 8, 1894, John and William Kellog were busy preparing granola for the patients of the Battle Creek Sanitarium, where the older brother (John) was the superintendent. No sooner had they cooked a batch of wheat than they were called to attend some other pressing matters. After some time they discovered that the wheat had gone stale, but they decided to process it further anyway. The wheat broke into flakes, which was quite surprising, but the brothers didn’t want to waste any food so they roasted the pieces and served them to the sanitarium patients. The new flaked cereal quickly became a success, so much so that the patients would even buy it from the sanitarium to bring back home!
This marvelous turn of events encouraged the brothers to start mass production of the cereal. To increase the popularity of the product even further, William proposed adding sugar for taste. And that’s when the infamous family feud began. You see, the Battle Creek Sanitarium was owned by the Seventh-day Adventist Church of which doctor John Kellogg was a devout follower. He was especially focused on the church’s views on diet and health, which included promoting sexual abstinence. But what does it have to do with cereal? Well, John’s aim was to serve food that was as bland as possible so that it could serve as an anaphrodisiac and discourage any sexual activity, in particular masturbation which he saw as a deadly habit. He once even said that “neither the plague, nor war, nor small-pox, nor similar diseases, have produced results so disastrous to humanity as the pernicious habit of onanism.” Now imagine how John could have responded to his brother’s idea of adding sweet sweet sugar to corn flakes! This event started a legal battle that ended in Will starting his own company which we know today as Kellogg’s.
I hope you’ll think of this tale of two brothers next time you enjoy your sweetened, mundane bowl of cereal.
If you want to learn more about the views and practices of John Kellogg, check out this Sawbones episode. Fair warning though, John was a eugenicist with very disturbing ideas for “treating” some of his patients.
It is said that the air transport of patients began during the siege of Paris in 1870, where wounded soldiers were supposed to be evacuated to safety by hot air balloons. However, some scholars aren’t convinced that that’s what really happened and link this historical rumor to the popularity of Jules Verne’s stories about balloons. Regardless of the truth, by the end of the nineteenth century there were at least a couple of people who proposed air transportation of patients.
One of them was a Dutchman called M. de Mooy, who designed a system in which a stretcher could be suspended from a balloon, which in turn could be gently steered by horses in the right direction. So, was this idea ever really applied outside of experiments? I’d love to see some primary sources on the subject, let me know if you know more about balloon ambulances. 🙂 In the meantime, check out this Sawbones episode on ambulance history.
Also, would you like to be transported this way in case of an emergency?
It’s believed that making jack-o’-lanterns originated in Ireland and the tradition was brought to the United States by Irish immigrants in the 19th century. That’s when jack-o’-lanterns started to be associated with pumpkins rather than the traditionally used potatoes, turnips, and beets.
Photo manipulation is as old as photographs themselves!
The Victorians came up with several clever tricks to make photographs more entertaining, e.g., they used photomontage and combination printing to produce headless portraits, inspired by popular stage magicians. Double exposure was also used to add objects not present in the original exposure, such as ghostly figures or floating items. Unfortunately, some people used these techniques in a more questionable way.
A few photographers started working as mediums and marketed their spirit photographs as evidence of the afterlife. The spiritualist movement quickly adopted the use of spirit photography and published numerous books on the subject.
If you’ve ever visited an old Scottish kirkyard, you might have stumbled upon an iron or stone contraption protecting a grave. They are called mortsafes and many people think they were used by their superstitious ancestors to keep the dead inside their coffins. While it is true some Victorians believed in vampires and other supernatural beings, the truth behind the mortsafes is even more interesting than the myth. These heavy objects were placed on the grave or encapsulated a coffin (in a form of a cage) to protect the dead from resurrectionists, in other words body snatchers, who would dig up fresh bodies and sell them to surgeons.
The most famous resurrectionists of the time were Burke and Hare who supplied a surgeon named Robert Knox in the early 19th century. These grave robbers (and later murderers) conducted their activities in Edinburgh, the leading center of anatomical study at the time, which is probably the reason why most of the surviving mortsafes can be found in Scotland. The iron cages and other contraptions were expensive, so it was popular to “rent” a mortsafe and reuse it for a different grave in several months, once a body was decomposed and therefore useless for anatomists. The popularity of mortsafes started to diminish after the passing of the Anatomy Act in 1832.
Empress Elisabeth of Austria (1837 – 1898), more commonly known as Sisi, was famous for her extraordinary beauty, lavish hair, and fashion sense. To live up to her own standards, she practiced elaborate beauty routines with the use of a variety of products. Some of these products contained surprisingly weird ingredients…
This comic was inspired by a great Sawbones episode: Wrinkles.
The Victorians are known for their obsession with death and elaborate mourning practices, something that was undoubtedly influenced by the high mortality rate of the times. ☠️ The invention of the daguerreotype in 1839 allowed them to explore mortality and grief through a new medium – post-mortem photography. 📸Families would have their pictures taken with dead relatives lying peacefully in a bed or, more unusually, posed in a life-like manner on a chair. Some resources even claim that special metal constructions could be used to make the corpses ‘stand” for the photo, however, this is more likely just a myth fueled by misinterpreted 19th-century pictures.
While post-mortem photography might seem morbid today, it’s worth remembering that these photos were often the only images that people had of their loved ones: first photographs were costly, not easily available, and required long exposure time. These photos were valuable family keepsakes. 💜
While there are a few online collections of post-mortem photography, you can also check out this video on debunking the “standing corpse” photographs: Ask a Mortician