Fashionistas of the late Victorian and Edwardian eras were obsessed with hats. 👒 Particularly with feather hats, adorned with bird feathers, heads, wings, and even whole animals. 🐦🦜 The demand for birds was so high that the millinery industry decimated dozens of species and even drove one of them – the passenger pigeon – into extinction. The last passenger pigeon died in captivity in 1914.
As taxidermy was a popular Victorian pastime, it is said that not only birds, but also other animals such as squirrels, mice, and even cats fell victim of the over-the-top hat fashion. 🐿🐁🐈 In 1883, The New York Times published an article on French fashion stating that “The demand for kittens’ heads has become so important that cat breeding has become a regular business.”
To be honest, I’m not sure if this article wasn’t exaggerating about the French love for kitten hats, so let me know if you’ve come across any other sources on that. 😺
Scheele’s Green, also known as copper arsenite, was the name of a green coloring that was used in everything from wallpaper 👩🎨 through dresses 👗to toys and candies. 🍭
Thanks to the unique, vibrant look it quickly became a very fashionable color. As you can imagine, the arsenic-loaded dye was very dangerous to people’s health, especially if digested or breathed in. ☠️☠️ The latter could occur as a result of, e.g., molding wallpaper which would release arsine gas.
The toxic nature of Scheele’s Green (and its chemical cousin Paris Green) was unknown to the general public until a series of mysterious deaths and illnesses caught the attention of a few chemists and doctors who then called for boycotting green products. Despite the growing awareness, arsenic-based dyes were in use until the end of the nineteenth century. 😱
See what other dangers waited for the Victorians in their own homes in the “Hidden Killers” documentary series.
Victorian mourning veils were popular accessories worn by grieving women. ⚰️ The veils could be as long as six feet and were traditionally made out of black crape, a scratchy fabric believed to be the most appropriate for mourning. 🖤
Unfortunately, some of the black dyes (like logwood dye) used in the production were quite poisonous, 🐍 causing a variety of ailments from light rashes to serious respiratory problems. Widows were especially affected by these dangers as the Victorian society expected them to wear crape veils for at least a year and a day during the so-called deep mourning stage.
Crinolines 💃 were hugely popular in the second half of the 19th century, since their fairly light construction allowed women to play with fashion and big dress shapes without the need to carry the weight of several petticoats (as it was done earlier). This vast popularity of crinolines among women of all classes led to coining the word ‘crinolinemania’ and numerous caricatures in the media.
And while there were some hazards 😱 connected with wearing crinolines, especially in factories or near an open fire 🔥, they were definitely great at providing some personal space 😎